Projects

Throughout antiquity, alcohol belonged to private and public realms, devotional and everyday settings.

Eren Jaye’s doctoral project considers theatres of the region from both a folkloric and ecological perspective.

Moving beyond the primacy of the optical, reproducibility and “surfacism” in understanding photography (Pinney, 2003), the exhibition will offer new vantage points to approach the medium making visible the haptic, gendered, material and decolonial dimensions of photographs. 

This preliminary research will focus on exploring and more fully if/how public procurements in Brazil can be used to reward campaign donations from firm donors.

This paper uses administrative data in a difference-in-differences design to estimate the effect of a nonprofit property titling program on residential investments in South Africa, a context where residents have occupation rights and receive transaction rights via title deeds.

Dr. Moutu will guide the work of UVA students enrolled in my Curating Culture course, contribute to the Fralin’s knowledge about their collection of Oceanic art, give lectures, and connect with professionals in anthropology and museums at UVA and other institutions in the region.

Rebuilding Civil Society, Embedding Democratic Roots will examine the processes by which advocates in Zimbabwe are attempting to rebuild a grassroots democratic culture.

Through participation in the Wright-Ingraham Institute’s Icelandic Field Stations program, this project will advance research at the intersection of science, the humanities, and landscape architecture.

Historians of science and technology describe a “critical movement” in the latter half of the nineteenth century towards a rapid reformation of nature that pushed the limits of representation.

Aaron’s project contributes to his dissertation, A Revolutionary Gospel, which examines how Russian writers transformed their Christian heritage into a new socialist religion while exiled in the US and Italy between 1905 and 1917.