2022

This project seeks to develop and pilot a construction application for non-linear wood through the development of a computational construction workflow in which logs are robotically scanned and manufactured into interlocking, structural blocks.

My project, “The Global Voices of Black Mountain College,” will contribute to a narrative podcast series telling the story of Black Mountain College, an experimental liberal arts college that existed from 1933-1957 in rural North Carolina.

Informed by the perspective of Global South studies, my project explores the ideological tensions within the Popular Socialist Party (PSP) between 1953 and 1954.

This project investigates the construct of contemporary Chinese architecture in exhibitionary representations under hegemonic transnational cultural exchange by looking into a series of German exhibitions on contemporary Chinese architects from 2001 onwards.

“The Siren Project” aims at reflecting on the representation and the role of women’s voice in literature and the visual arts through time and geographies.

My work focuses on the transnational peace movement during the last decade of the Cold War.

By expanding insights from the cultural sociology of disaster and suffering, this project explores how the state, social scientists, and victims’ parents struggle to find the meaning of suffering.

This symposium focuses on exploring and celebrating the recent emergence of Tibetan female writers in their Himalayan homelands and in the broader global diaspora.

My current research is focused on collective action and informal governance in the COVID-19 pandemic responses seen in the favelas of urban Brazil, particularly in São Paulo and Rio de Janeiro.

I analyze the regional cinema as an audiovisual text that denounces and reveals human realities forgotten or ignored.