Center Grants

I will travel to Tepotzotlán to visit colonial and baroque art collections that portray skeletal representations of death housed at the Museo Nacional del Virreinato in Mexico.

Achieving goals in global health requires moving data into practice, but low/middle income countries struggle in performing high quality clinical research, and very few studies done and published focus on surgery and emergency care.

My book analyzes the financial, ideological, and political investments made by a cohort of black activist-entrepreneurs, government officials, and corporate executives in black empowerment politics.

My dissertation explores the making of the New International Economic Order (NIEO)—and the demands for economic sovereignty and a “right to development” it embodied—from the perspective(s) of sub-Saharan Africa.

How can we examine poetry and production from an environmental perspective?

As Japan built its empire in the late-nineteenth and early-twentieth centuries, it enforced assimilationist policies that changed the lives of the people in its territories.

Academic knowledge production often involves imbalances of power, as researchers from the Global North have frequently conducted studies in marginalized communities in the Global South.

This project explores how new recording technologies (immersive video, spatial audio, and motion capture) can be used to document, preserve, and transmit embodied cultural practices of aboriginal communities in Australia’s Northern Territory.

My research studies continuity and discontinuity amongst the inhabitants of char areas on the Kurigram District tributary of the Brahmaputra River in Bangladesh.

Designed to put artists at the center of social, political, economic and cultural transformation, the Black Power Station is a locally and collectively-owned Pan African arts center in Makhanda, South Africa that aspires towards global connectivity and collaboration.