Art

Ganiyu Jimoh, Digital Art in Africa, Postcolonial Resistance, Analog-Digital Fusion

My project explores the ways in which Indigenous Australian artists from the Tiwi Islands invoke ceremonial performance in their artistic practices.

This project develops new visions for futurities directly informed from Nahua multidimensionality concepts of time traveling and re-envisioning futuristic indigenous migrant resiliency.

Throughout antiquity, alcohol belonged to private and public realms, devotional and everyday settings.

Moving beyond the primacy of the optical, reproducibility and “surfacism” in understanding photography (Pinney, 2003), the exhibition will offer new vantage points to approach the medium making visible the haptic, gendered, material and decolonial dimensions of photographs. 

Concerted efforts to study China’s Belt and Road Initiative (BRI) at the University began with the major conference, “Complementing and Competing Visions of China’s Belt and Road Initiative,” held on March 2, 2019.

The project attempts to fill knowledge gaps about rural life in ancient Attica, illuminating the role of its frontiers.

“The Siren Project” aims at reflecting on the representation and the role of women’s voice in literature and the visual arts through time and geographies.

Performance spaces are critical to understanding how spectators experience music.

In a time of rising sea levels and global climate change, why do the arts matter after a hurricane?